It was a struggle for recognition that Edward Hopper paintings experienced in the 1910s. Principally the painting titled Sailing was exhibited in a variety of group shows in New York. It was with paintings done in the medium of etching that success in terms of immediate sales was gained.
A symbolic milestone for Edward Hopper paintings was their exhibition in the Whitney Studio Club in 1920. Although none of the 16 paintings was sold, it was the first one-man exhibition for Edward, who was at the time thirty-seven years of age. His patron done was in the person of Gertrude Vanderbilt Whitney.
Conversely, the second one-man exhibition of Edward at the Frank K.M. Rehn Gallery in New York, a few years later, was a resounding success. Each one of the Edward Hopper paintings presented was sold. As an artist, Edward suddenly found himself in a more prosperous and prominent position after this commercial triumph.
During the course of his career, Paul Klee participated in various art movements. In many of these movements, Paul was considered to be a leading force. Expressionism, cubism and surrealism find their expression in Paul Klee paintings, among other art forms. There was a period in the illustrious career of this artist that he also worked as an art instructor.
Paul shifted his attention from music to the visual art forms during his teen years. It was in 1905 that he developed a unique art style, involving the drawing on a blackened pane of glass with the use of a needle. This style enabled Paul to create magnificent depth and texture for his designed pieces. Between 1903 and 1905, Paul Klee paintings, in the form of a set of etchings called Inventions, was the centrepiece for his first art exhibit.
The next five years saw Paul Klee paintings progressing to new art forms. Paul began to work on water colors and experimentation, in general. By 1914, Paul started work on abstract art, inspired by light exhibits he viewed in Tunisia.
A symbolic milestone for Edward Hopper paintings was their exhibition in the Whitney Studio Club in 1920. Although none of the 16 paintings was sold, it was the first one-man exhibition for Edward, who was at the time thirty-seven years of age. His patron done was in the person of Gertrude Vanderbilt Whitney.
Conversely, the second one-man exhibition of Edward at the Frank K.M. Rehn Gallery in New York, a few years later, was a resounding success. Each one of the Edward Hopper paintings presented was sold. As an artist, Edward suddenly found himself in a more prosperous and prominent position after this commercial triumph.
During the course of his career, Paul Klee participated in various art movements. In many of these movements, Paul was considered to be a leading force. Expressionism, cubism and surrealism find their expression in Paul Klee paintings, among other art forms. There was a period in the illustrious career of this artist that he also worked as an art instructor.
Paul shifted his attention from music to the visual art forms during his teen years. It was in 1905 that he developed a unique art style, involving the drawing on a blackened pane of glass with the use of a needle. This style enabled Paul to create magnificent depth and texture for his designed pieces. Between 1903 and 1905, Paul Klee paintings, in the form of a set of etchings called Inventions, was the centrepiece for his first art exhibit.
The next five years saw Paul Klee paintings progressing to new art forms. Paul began to work on water colors and experimentation, in general. By 1914, Paul started work on abstract art, inspired by light exhibits he viewed in Tunisia.
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Learn more about Edward Hopper paintings. Stop by Darren Hartley's site where you can find out all about experimentative Paul Klee paintings and what it can do for you.
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