Frida Kahlo paintings are best remembered for their pain and passion and their intense, vibrant colors. They are celebrated as emblematic of national and indigenous tradition by the Mexicans and for their uncompromising depiction of the female experience and form by feminists.
Intense Frida Kahlo paintings are characterized as Naive art or folk art and prominently feature Mexican culture and Amerindian cultural tradition. They are also described as surrealist, as a matter of fact, in 1938, one surrealist described Frida as being a ribbon around a bomb.
Reflected in her works are the lifelong health problems of Frida. Frida prefers to paint portraits of herself because according to her she is so often alone and if there is one subject she knows best, it is herself. To quote Frida, she was born a bitch as well as a painter. Self portraits constitute half of the Frida Kahlo paintings.
Edgar Degas calls himself as either a realist or independent, despite Degas paintings receiving the label of being impressionistic in style. The fleeting moments in the flow of modern life is what Edgar sought to capture in his work.
Because Edgar had very little energy for painting plein air landscapes, Degas paintings frequently depicted theatre and cafe scenes illuminated in artificial light. In complete adherence to his academic training, Edgar used this light in the clarification of the contours of his figures.
Edgar's father recognized the artistic gifts of his son and encouraged his efforts at drawing by taking him to Paris museums frequently. Early Degas paintings were copies of Italian renaissance paintings at the Louvre.
Edgar's training in the traditional academic style started in the studio of Louis Lamothe, with emphasis on line and insistence on the crucial importance of draftsmanship. Degas paintings were also strongly influenced by paintings and frescoes seen during long Italian trips in the late 1850s, when Edgar made many sketches and drawings of these paintings and frescoes in his personal notebooks.
Intense Frida Kahlo paintings are characterized as Naive art or folk art and prominently feature Mexican culture and Amerindian cultural tradition. They are also described as surrealist, as a matter of fact, in 1938, one surrealist described Frida as being a ribbon around a bomb.
Reflected in her works are the lifelong health problems of Frida. Frida prefers to paint portraits of herself because according to her she is so often alone and if there is one subject she knows best, it is herself. To quote Frida, she was born a bitch as well as a painter. Self portraits constitute half of the Frida Kahlo paintings.
Edgar Degas calls himself as either a realist or independent, despite Degas paintings receiving the label of being impressionistic in style. The fleeting moments in the flow of modern life is what Edgar sought to capture in his work.
Because Edgar had very little energy for painting plein air landscapes, Degas paintings frequently depicted theatre and cafe scenes illuminated in artificial light. In complete adherence to his academic training, Edgar used this light in the clarification of the contours of his figures.
Edgar's father recognized the artistic gifts of his son and encouraged his efforts at drawing by taking him to Paris museums frequently. Early Degas paintings were copies of Italian renaissance paintings at the Louvre.
Edgar's training in the traditional academic style started in the studio of Louis Lamothe, with emphasis on line and insistence on the crucial importance of draftsmanship. Degas paintings were also strongly influenced by paintings and frescoes seen during long Italian trips in the late 1850s, when Edgar made many sketches and drawings of these paintings and frescoes in his personal notebooks.
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