mardi 13 mai 2014

El Greco And Manet Paintings

By Darren Hartley


El Greco paintings show mastery in Post-Byzantine art, following the footsteps of Greek artists. El Greco spent a great majority of his time in Rome developing his style, where he adopted elements from both Mannerism and Venetian Renaissance.

It was in Toledo Spain where El Greco truly blossomed and the best masterful El Greco paintings were produced. The focal point of his work was highly expressive and visionary religious works. He rarely ventured away from this genre but when he did, he produced compelling portraits, landscape paintings, mythological works and sculptures.

Later El Greco paintings were particularly notable for their undulating forms, epic scale and expressive distortions. For El Greco, color is the most important element in painting. In this regard, he declared that color should have primacy over form. He dramatized rather than described in his more mature works. The strong spiritual emotion in his works directly affected his audience.

Manet paintings depicted everyday scenes of people and city life. Edouard Manet was a leading artist in the transition from realism to impressionism. His most famous works include The Luncheon on the Grass and Olympia.

One of the most arresting portraits among Manet paintings shows a young woman called Victorine Meurent, wearing a black ribbon around her neck and a dashingly blue ribbon in her hair. Victorine was a constant model for Edouard. As a matter of fact she was the model for one of the most notorious paintings in the world, also by Edouard.

Olympia is a one of the most famous Manet paintings. Victorine was the model for the prostitute featured in the painting, in all her glory except for a black ribbon around her neck and a satin slipper on her foot. She was completely naked again in The Luncheon on the Grass, but in this painting she was surrounded by two men who were fully clothed while enjoying their picnic together. She was featured as a bullfighter wearing very unsuitable shoes in Mlle V in the Costume of an Espada.




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